It’s the handsiest thing with no hands I’ve ever seen. Strange leaves the Sanctum, heads to the other side of the planet, and returns to Greenwich Village a fair bit later, and this cloak is still getting frisky with Mads Mikkelsen’s dashing henchman. It helpfully tugs its owner over to a useful weapon, and later, mauls a hunky bad guy for way, way too long.
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Eventually, the cloak pulls an Anderson Cooper and breaks free of its glass closet, making a beeline for Strange and proving to be a boon in the ensuing battle. It’s like Aladdin’s adorably wiggly flying carpet, but so much hornier. Let me tell you, this cloak has real personality. This coat wants to get on Benedict Cumberbatch even more desperately than a Sherlock slash-fic author, and it won’t take “No” or “You’re an article of clothing, I can’t technically have sex with you” for an answer. They only have one of each item and they definitely don’t have it in your size, but Strange is most intrigued by a levitating red cloak encased in glass that turns to follow him as he walks past it. She gives him a midnight-blue robe cinched with chunky belts that he never takes it off for the rest of the movie - truly, the only way to honor a gift of clothing from Tilda Swinton - and later, Strange descends to the basement, where he must answer a question that has far-ranging ramifications for the universe as we know it: Can he pull off a statement necklace? The answer is yes, but as in the real world, it ought to be used sparingly.Įventually, Strange makes his way to the Sanctum Sanctorum, a cute and expansive Greenwich Village boutique that I have to assume Tilda was Airbnb-ing. The plot, fittingly, is a mere coat hanger: Like Gwen Stefani before him, Doctor Strange travels to the Far East to appropriate Asian culture, where he soon comes upon Tilda Swinton in a monastery (pretty much the person I’d seek out for a Couture 101 class, too). As you may have discovered by now if you caught an early screening, Doctor Strange is a Marvel superhero movie about a straight man who learns to wear layers and accessorize. The other notable garment of the fall is the cloak from Doctor Strange, and it is with this article of clothing, dear reader, where we lay our scene. I am a normal man who is 30 years old and if I don’t wake up tomorrow as a 58-year-old Santa Barbara mother in a sensible jumpsuit I will be very upset.
And to my mind, two significant films are about to come out that present style trends worth emulating.įirst, there is Annette Bening’s 1979 jumpsuit from 20th Century Women, which we will hopefully get to when the film arrives at Christmas. It was a sartorial trend of sorts, hampered by the fact the films these vests appeared in ranged from “Bad” to “Did I actually buy a ticket to The Magnificent Seven?”īut now the leaves have changed, the movies have gotten better, and fashion has come to the forefront once more. Then along came The Magnificent Seven (I checked, it did indeed come out), where several bored but highly compensated actors also wore vests. Superman: Dawn of Justice presented a vision where everyone wore a vest for some reason, and oh, how it made us merry. Remember vests? Ah, were we ever so young? Batman v.
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